THE INTERPRETATION OF MYTH IN THE CONTEXT OF POPULAR ISLAM Part I Wim van Binsbergen |
homepage | index page 'Íslamic myth' | Part II
1. Introduction[1]
The interpretation of myths, and the
relative weight that should be attributed to mythical materials
in historical reconstructions based, partly or wholly, on oral
evidence, has been a bone of contention ever since Jan Vansina
presented a comprehensive statement on methodology in this field
(Vansina, 1965). In the domain of Central African history, which
has been Vansinas main interest, this debate has been
carried on by such scholars as Luc de Heusch (1972), Joseph
Miller (1976), Roy Willis (1976) and Thomas Reefe (1977).
Scholarly opinion has oscillated between the rather literalist
early views of Vansina and the dismissively structuralist
approach of de Heusch (which would read myths uniquely as
timeless statement of dominant symbolic themes in a culture). As
the body of available data expanded, and experience in the
handling of such data accumulated, we have seen the emergence, of
more relativist approaches, best exemplified by Williss
work, which try to specify the conditions under which what
aspects of what sorts of myth become amenable to what types of
historical interpretation.[2]
Central Africa can be regarded in several aspects as the cradle
of modern oral history and in my recent work on religious change
in that region (1979 and 1981), I have had occasion to tough upon
these problems. In the present article, however, I shall draw
upon materials from North Africa collected during fieldwork in
the Khumiriya[3] highlands of North-Western Tunisia in
1968 and 1970.[4] The myth I shall focus upon is that of
[5] Mhammad, a local saint venerated in
the area where the foothills of the cool, forest-covered
Khumiriya mountains (which reach their summit near the town of cAin
Draham, a colonial creation) give way to the luscious, wide-open
plain of the Wad al Kebir. This plain receives its name from a
major river which stretches over fifteen kilometres, from its
confluence with the Wad Ghanaka, northward to the age-old
harbour-town of Tabarka. After presenting the myth[6] and briefly indicating the relatively
a historical elements it has to offer to a cultural and
structural analysis, within the simplifications enforced by an
essay of limited length I shall build up a framework which opens
out the historical content of this myth for analysis. This
framework is informed, first by an analysis of the social and
religious organization of contemporary rural society in this
region (such as it was at the end of the 1960s) and, second, by
the historical evidence derived from other oral sources in the
locality.
My argument will thus add a footnote to the religious
anthropology and history of the Maghrib. But my main purpose is
more general. I aim to show how the historical interpretation of
myths should not be attempted in isolation, but against the
background of much more comprehensive information about the past
and present of a society and of a region. While in this way we
may manage to decode a myths historical message, it also
becomes clear that the decoding procedure may be long, devious
and uncertain. Finally, I shall demonstrate that, at least in the
case of this one myth, the historical message may be carried over
into later period where the myth no longer can be claimed to sum
up, in a detectable form, events that were of primary
significance in the shaping of the political and social
structures of that later period. The myth of Mhammad will turn
out to be nothing like the key to the local past. Exciting as the
process of interpreting the myth of Mhammad may prove to be, the
conclusion will come as an anti-climax. The historical events
encoded within the myth will turn out to be rather trivial and
commonplace occurrences in nineteenth-century Khumiri society.
This suggests that the great importance attached to the analysis
of myth within the field of oral history may be somewhat
exaggerated. Yet in many cases, particularly for the more distant
past, and in the context of religious studies, a myth is all the
evidence we have got. In such circumstance it would be a pity if
we were forced tow holly fall back on the a historical
structuralist alternative: and it is advisable for us to steer a
middle course with the understanding that it would be dangerous
to try to build historical reconstructions on mythical grounds
alone.
2. The myth of Mhammad
The myth of Mhammad was known, in more
or less elaborate form, to almost every adult inhabitant of my
research are and adjacent localities. I managed to record as many
as twenty variants of the myth. All agreed as to the basic
narrative and only differed in the degree of detail that each
informant spontaneously offered. On all occasions I recorded the
myth as volunteered, without probing for more details. The
variants could be aggregated so as to form one hypothetical
version. I am aware of the fact that his version is an analytical
construct; yet the high rate of agreement of convergence between
the variants seem to warrant such treatment. Table 1 summarizes
which informants (numbered i-xx) presented which elements of the
aggregate version. It is the public, consensual content of the
myth that shall occupy us in the course of my argument, and not
the specific minutiae of verbal activity as exemplified in the
individual informants presentations of the myth. I have
not, therefore, attempted to relate systematically the
differences (in length, precision, inclusion of certain elements
and omission of others) to differences in sex, age, place of
residence, descent group membership, etc., of the various
informants. A more impressionistic inspection of these background
variables, however, has convinced me that they had no significant
effect on the distribution of variants. Variants of the myth that
were recounted with third parties present did not differ
significantly from those offered to me in private, and never gave
rise to disagreement and critical discussion. This in itself
suffices to place this myth, along with the other pious legends
circulating in the region, in a class apart from other
oral-historical statements in Khumiriya. For (as we shall see,
particularly in relation to evidence on genealogies, residential
history, and histories of clans and lineage segments)
oral-historical statements in contemporary Khumiri society tend
to be contentious, idiosyncratic, non-consensual and manipulative
rather than collectively accumulated, shared historical images;
and in this sense reflect the individual speakers
transitory position in a shifting network of interest and
relationships.
The aggregate version, then, of the myth of Mhammad runs as
follows (the elements, numbered 1-28, correspond to those in
Table 1):
Mhammad (1) was a herdsman (2) employed
by Salima (3) of Ulad bin Sayid in the Khadayriya area (4).
Mhammad took the cattle to graze in the immediate surroundings of
what today are the hamlets of Mhammad, Mayziya, Traaya-sud
and Traaya-bidh (5); various names of localities are
specifically mentioned in this connection (6). There (implied or
expressly: on the Hill-top[7] where later his main shrine would be
located) he would sit down in order to sleep or to meditate (7).
For that purpose he would take off some, or all, of his clothes
(sometimes specified: his white burnous); towards the evening he
would put these on again (8). The cattle he allowed to roam
freely ((0 in those parts (various names of localities are again
specified in this connection) (10). Partridges came and alighted
on his body (11), in order to pick away the lice (12). At dusk
Mhammad would call the cattle to return to him (various ways are
specified: he clapped his hands; he waved a flap of his burnous;
or he made a to-and-fro movement with his walking-stick, which
had a particularly large head) (13). The birds left him (14). He
returned home (with all the cattle unhurt) (15). Salima became
aware of this unusual way of herding (various ways are specified
in which this information reached Salima: he is said to have
followed his herdsman in the morning to watch secretly if the
latter was doing a good job; or Salimas wife, or a
passer-by, is said to have informed Salima of the strange ways of
his herdsman) (16). From his own reflection on this matter, or at
the suggestion from others) Salima now understood that Mhammad
was a saint (17), and notably: one greater than Salima himself
(18). There were other signs to the same effect (e.g.
Salimas wife noticed that Mhammad performed the
Moslems obligatory prayers before he went to sleep) (19).
Therefore, when Mhammad returned home once again, he was treated
with all signs of respect (his feet were washed, he was offered a
choice meal - either by Salima or by the latters wife but
on his instigation) (20). Salima decided that the relationship of
dependence between Mhammad and himself should be brought to an
end (21). Mhammad settled on the Hill-top (22), which had been
given to him (either by Salima or by some unspecified owner show
may, or may not, have been Salima) (23) after Salima had urged
him to name any gift that he might fancy (24). Good
relationships, as between neighbours, continued to exist between
Mhammad and Salima (25). Now everyone came to consider Mhammad as
a saint (26). After his death he was buried on the Hill-top (27).
And this was the origin of his present main shrine, called
Mhammad al Kabir (the Elder) (28).
|
informants |
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i |
ii |
iii |
iv |
v |
vi |
vii |
viii |
ix |
x |
xi |
xii |
xiii |
xiv |
xv |
xvi |
xvii |
xviii |
xix |
xx |
elements |
1 |
+ |
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+ |
+ |
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2 |
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3 |
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4 |
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5 |
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6 |
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(+) |
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7 |
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8 |
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9 |
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10 |
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11 |
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12 |
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13 |
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15 |
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16 |
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17 |
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(+) |
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18 |
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19 |
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20 |
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21 |
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23 |
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24 |
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25 |
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26 |
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27 |
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28 |
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Table 1. Variants of the myth of Sidi Mhammad
Figure 1. The valley of Sidi Mhammad and surrounding areas (click on thumbnail in order to enlarge)
Figure 2. The valley of Sidi Mhammad: dynamics of shrines and cemeteries (click on thumbnail in order to enlarge)
3. The myth of Mhammad in the light of cultural and structuralist interpretations
It is perfectly possible to ignore any
specific historical content in the myth of Mhammad; or to explain
such content away as an accidental touch of couleur
locale (allowing, moreover, for considerable free
variation between the various narrators), of no consequence to
the myth as a statement of cultural and symbolic structure. At
least two lines of analysis are open then for such an a
historical interpretation.
From the viewpoint of cultural analysis, the myth can be read as
a particular combination of a number of hagiographic themes[8] which run through the Islamic cultures
of North Africa and the Middle East, and which together serve to
express the essence of sainthood as distinct from ordinary human
existence. In these cultures the saint represents a distinct
social category. He or she is characterized by an exceptionally
close and harmonious relationship with God and with Nature; this
enables the saint to circumvent the usual limitations of human
toil and human social control, and instead to rely directly on
divine grace (baraka). The saint reveals himself in various ways,
ways which are often found in combination: through the
ostentatious display of formal Islamic observance (in a cultural
environment of popular Islam where very few people do perform the
obligatory prayers, are sufficiently literate to have access to
the Book, etc.); through wonder-working (karamat)
and through the possession of material objects (such as stone
cannon balls (kurra), or the white burnous)
reserved for saints; and through a particular state of mind (niya)
characterized by piety, humility and non-violence. Constitution a
social category incomparable to that of non-saintly people,
saints do not compete with ordinary human beings; on the other
hand, the gradations of sainthood result in a saintly hierarchy
which defines some saints as being subservient to others, but
which precludes relations of dependence between saints whose baraka
is at the same levels of excellence.
Considered in this light, the rags-to-riches story of
Mhammad is a restatement, cast in a local context, of what
constitutes sainthood. Mhammad first appears as the essence of
humility: a dependent herdsmen. His niya is
further brought out by the fact that he keeps his saintly status
a secret, and that he indulges in meditation or sleep unhindered
by such social conventions as clothing and the behaviour expected
from herdsmen. For herdsmen are supposed to remain alert in
guarding the cattle entrusted to them against such accidents as
may befall them on the steep and rocky forested slopes of
Khumiriya. The saintly herdsmans harmony with god and
Nature is brought out by the fact that, even without the
Conventional attention, the cattle wander unhurt and return at
the herdsmans first call, while partridges (like all birds,
conventional messengers from Heaven) settle on his shoulders. the
attempt on the part of a few informants to explain the
partridges presence rationally by referring to the poor
herdsmans lice suggests that the divine symbolism of the
bird has become lost on them. Anyway, as one would expect,
Mhammads sainthood could not remain a secret for long, and
once detected, the relationship of dependence is supplanted by
one of equality, via ceremonial actions and gifts through which
Sidi Salima makes up for his original oversight. Incidentally,
some variants also highlight the typical role of women in popular
Islam as being more involved in, and familiar with,the
supernatural aspects of life than men. In these variants it is
Salimas wife who detects Mhammads sainthood - thereby
typifying the role of the wife as the mediatrix between her rural
household and others, including the supernatural: it is the wife
who processes food, cooks for visitors, visits saintly shrines
and takes offerings there.
The second a historical line of approach to the myth would be
that of symbolic anthropology or semiotics.[9] Despite much variation between
individual authors and between schools, a consensus has developed
over the past twenty years or so according to which a first step
in the analysis of myth would be the application of fixed basic
oppositions which, it has been argued, may be shown to underlie
symbolic structures in a wide variety of cultures. Some of these
oppositions are:
human |
non-human |
nature |
culture |
male |
female |
high |
low (or, in general, vertical
differentiation) |
left |
right (or, in general,
horizontal differentiation) |
Table 2. Frequent structural
oppositions in myth
Often, these oppositions turn out to be
clad in oppositions between natural species (e.g. birds versus
cattle) or types of natural environment (e.g. plain versus
mountain). Through various logical operations (transformations)
these oppositions are then shown to be connected to each other,
and to form a deep structure revealing general features of human
society and of the human mind.
Such a structuralist analysis of the myth of Mhammad would, I
suppose, abstract even from the cultural model of the Islamic
saint, and would instead stress the pairs of oppositions which
are obvious in the story. In a somewhat diluted variant of the
semiotic approach, the deep structure can then be related to
fundamental formal aspects of the culture and the social
structure in which it is found. Viewed in this light the myth
contains much to please a structuralists heart. In
particular, the myth can be seen as a concentrated statement of
vertical and horizontal oppositions, of which the
rags-to-riches theme (the movement from social subordination
and vertical differentiation to horizontal equality)
is only one aspect. Salima lives in the plain,
whereas Mhammad takes the cattle into the mountains,
and finally settles there as an independent pastoralist. while
the cattle roam about in space (essentially horizontally
despite the mountain slopes), birds descend
and ascend, and Mhammad remains fixed
in one place as some sort of nodal point where the
tensions between all these symbolic axes are resolved. While the
saint transgresses the rules of human Culture
through nakedness and socially unexpected behaviour as a herdsman
(through which, in his niya, he reverts to a purer state of
Nature under its human aspect), non-human Nature yet
becomes domesticized under the effect of Divine
Grace: wild birds fondly interact with the saint, and the cattle
return unhurt. The rhythm of day and night should not be
overlooked, either: from the point of view of his employer the
saint is a herdsman during the day, only secretly to indulge in
his sainthood through prayers at night; however, from the point
of view of Nature, of God, and of the saint himself, it is during
his day-time meditations and intercourse with the partridges that
his sainthood is most clearly revealed. As a sort of
transformational, vectorial solution to these and other binary
oppositions (I only indicate the more obvious ones), the logic of
the story almost inevitable leads on to a permanent geographical
displacement of Sidi Mhammad from the plains, where his one-timer
employer dwells, to the mountains, where he now settles
independently; from concealed sainthood expressed in interactions
with non-human Nature, to an overt sainthood manifested in
culturally patterned interaction with human beings (elements
26-8); and from a subordinate to an equal social position. That
it should be a woman who, in some of the variants, forces this
solution at crucial points is only logical, considering the
symbolic ambiguities of women in Islamic rural cultures, along
such axes as the opposition between Nature and Culture,
subordination versus equality, and human society versus the
supernatural.
It would not be difficult to relate this tentative and somewhat
amateur structuralist reading of the myth of Mhammad to
significant aspects of the social organization of the region. The
Khumiri mountain-dwellers are linked to the plain through
economic ties (Tabarka has been a regional market for millennia),
marital relations and pilgrimage (the Wad al Kebir plain contains
some major saints shrines). In terms of supra-local
relations, such as that between the plain (which for centuries
has been economically and politically integrated in the
international and intercontinental structures of the
Mediterranean world) and the remote, somewhat inaccessible
mountains (which, for example, in the nineteenth century defied
beylical control and taxation), the myth of Mhammad could even be
read as another restatement of the irony of the maghrebine local
saint: as a stranger carrying elements of formal Islam into
remote parts, he is soon encapsulated there so as to form, with
his tomb, legend and baraka, a corner-stone of popular Islam, and
a focal point for local, particularist social and ritual
organization (cf. van Binsbergen, 1980). the horizontal/vertical
deep structure of the myth reflects a symbolic accommodation of
status differences, a dominant theme in the society of Khumiriya
and other parts of North Africa. In these societies we find on
the one hand specific relations of interpersonal dependence (such
as analysed by Favret, 1968), of which the institution of the
stranger herdsman is but one example. On the other hand, the
social process in these societies hinges on notions of honour on
shame[10] which imply a potential equality
between adults of the same sex. the myth of Mhammad and Salima
can be read as a statement both of this contradiction and of its
possible solution. It is perhaps significant that the act of
quietly sitting on the Hill-top, at the intersection as it were
of all these oppositions, conveys a suggestion of firm,
legitimate individual ownership of land (mulk) and in this
respect the herdsmans unusual behaviour (in which he denies
being someone elses herdsman) anticipates the outcome of
the story. Again, another major theme in Khumiri society is,
inevitably, the division of labour between the sexes in a context
of reproduction and production; and a representation of this
theme, the symbolic opposition between male and female, comes up
in at least some of the variants.
In Khumiriya saints only service symbolically, as a cultural
category explaining local shrines as places where saints living
in the past have been buried. Unlike other parts of the Maghrib,
contemporary Khumiriya no longer has saints: the most recent
actual encounter with a living saint as recorded in my
oral-historical data took place in the 1910s. this might be all
the more reason to consider the myth of Mhammad as a timeless
symbolic statement for social organization or experiential
referents, of whatever kind. The possibilities of relating the
myth, and its deep structure, to the contemporary social
organization in the region, without attributing any specific
historical content to the myth, are many. Yet in the remainder of
this paper I shall explore the limited sense in which the myth
does convey a historical message.
4. Mhammad and Salima as
contemporary shrines
The inhabitants of the region have good
reason to familiar with the myth of Mhammad. His shrine is still
there. For anyone travelling from Tabarka to cAin Draham, the
modest, square, white structure, with its domes roof (qubba)
and horned ornaments on the four corners, can be seen across the
Wad al Kebir for about ten kilometres of the journey. In fact the
saint, and his shrine, have given their name to entire valley
south of the Was Ghanaka, consequently called hanshir
(patrimony of) Mhammad. In this valley, comprising the hamlets of
Traaya-sud, Traaya-bidh, Mhammad, Mayziya, Ramal al cAtrus
and Fidh al Missay, three more shrines of the same saint can be
found: another qubba right in the centre of
the hamlet Mhammad; a hut-like structure (kurbi, consisting of a
roof of arboreal material (branches, leaves, cork) on a
foundation of large rocks laid out in the form of rectangle) next
to this qubba, and another kurbi
between the hamlets of Mhammad and Mayziya. The qubba in the
centre of the hamlet of the same name is called Mhammad al Wilda
(the Son) to distinguish it from the shrine on the Hill-top,
designated al Kabir (Elder). the collective celebrations during
the massive festival (zarda), which is held
twice in year in honour of Mhammad, take place almost entirely
around the qubba of Mhammad al Wilda.
Mhammad al Kabirs main function is that the valleys
major cemetery is situated around this shrine. Hundreds of
pilgrims (particularly women who, born within the valley, have
married outside and who are under an obligation to visit the
shrine) make the pilgrimage to Mhammad al Wilda on the occasion
of the zarda and throughout the year;
however, on the same day, these pilgrims will also visit the
adjacent kurbi as well as Mhammad al Kebir
(cf. van Binsbergen, in press). These three shrines are attended
by a shrine keeper (ukil), who looks after
the key to both qubbas, collects pilgrims\ gifts, and performs a
short ritual at all three shrines on Thursdays and Fridays. No
such regular service exists for the kurbi
half-way towards Mayziya, whose roof, however, is repaired twice
a year by the inhabitants of that hamlet. The cemetery of Mhammad
al Kebir serves the hamlets of Mhammad and both Traayas.
Mayziya buries its dead at a separate cemetery, Sidi Rahuma. The
hamlets of Fidh al Missay and Ramal al cAtrus bury their dead
near Sidi Bu Qasbaya in Fidh al Missay. This again is not the
only local shrine of that name: in the western part of the hamlet
of Sidi Mhammad, near a large farmhouse that during the colonial
era (1881-1956) accommodated the only European presence in the
valley, three more shrines bearing the name of Sidi Bu Qasbaya
can be found. The inhabitants of Fidh al Missay and Ramal al cAtrus
do participate in the festival at Sidi Mhammad al Wilda; but they
also have, on a much more modest scale, their own festival for
Sidi cAbd Allah, represented by tow kurbis, one in each hamlet.
Sidi Mhammad is clearly considered the major saint throughout the
valley. In addition to the festivals, pilgrimages and burials
near his shrine, all households regularly dedicate meals to him,
to be consumed in his honour. The few people who can afford it
irregularly sacrifice sheep, goats or a head of cattle for him.
In everyday conversation, in the houses as well as the mens
assembly grounds (which deliberately have been located so that
the two qubbas can be seen from there), the name of Sidi Mhammad
is frequently invoked to render force and credibility to a
statement. And while a large number of saints and demons may be
invoked in the course of the ecstatic dances in which over 20 per
cent of the male population of the region specialize, the dancers
(faqir, plur. fuqra) in the valley of Sidi Mhammad tend to
concentrate, in their song (triq), on that particular saint.
My ancestor Mhammad
You who sleep under the fig-tree
Mhammad with the partridges,
You who sleep under the hawthorn,
Mhammad, assist me.
Nor is it only during the ecstatic
dances that Sidi Mhammad is fondly called jaddi, my
ancestor, my grandfather. This is also what
the women keep exclaiming in near-ecstasy, when they visit the
shrines together, touch and kiss the walls and sacred objects
inside, and dance near the tomb. this is how people in the valley
choose to refer to their major saint. But so too are the scores
of lesser saints, whose shrines (seldom more than a few large
rocks piled on top of each other: mzara) abound in the valley,
referred to as jadudna: our ancestors. And when asked
why people visit these local shrines, the answer Jadudna!! is
generally considered to constitute sufficient explanation.
Sidi Salima is still a shrine near the confluence of the Wad al
Kebir and the Wad Ghanaka, where the myth of Sidi Mhammad locates
the homestead of Sidi Salima. Sidi Salima has not managed to
impose his name on an entire valley in the same way as Sidi
Mhammad has. Instead, the wider area (a chiefdom)[11] is called Khadayriya, and the place
immediately around Sidi Salima is known as Ulad bin Sayid; the
latter is a clan name which is traditionally associated with the
Drid tribe. Segments of the tribe can also be found scattered in
other parts of Tunisia, including elsewhere in Khumiriya, as we
shall see below (cf. Souyris-Rolland, 1949: p. 135; Bel , 1938:
pp. 378ff.; Miedema, 1967; p. 19; Cuisenier, 1962; Hartong, 1968;
and van Binsbergen, 1970: pp. 93f).
The shrine of Sidi Salima is of a somewhat unusual shape, but is
rather reminiscent of the rectangular structures of large rocks
that form the foundation for kurbi shrines. It consists of a
shallow pit surrounded by a rectangular wall (about 7 x 7 metres)
built from large rocks each about 40 cm in all dimensions. An
ancient olive-tree stands at the edge of the pit. Behind the
tree, at the other side of pit, a less heavily constructed inner
wall about 80 cm high, connects two opposite sides of the outer
wall. There is a suggestion that it is a Roman ruin.[12] The bottom of the pit is covered with
hundreds of clay candle-sticks (musba), clay
saucers on which incense can be burned (tassa),
and paper wrappings on contains incense the usual pious
gifts that also abound in all the other shrines in the region.
The edges of the pit are fringed with myrtle shrubs, a vegetation
typically found in Khumiri cemeteries. For like Sidi Mhammad al
Kebir, the shrine of Sidi Salima is surrounded by a vast
cemetery.
No other shrines bearing the name of Sidi Salima seem to exist
locally, and certainly no festival is held for this saint.
Instead, the people of Ulad bin Sayid have two festivals annually
for Sidi cAbd Allah bu Karma (with the fig-tree),
whose shrine is located less than a kilometre from Sidi Salima.
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'Íslamic myth'
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[1]
I am indebted to the following persons and institutions: D.
Jongmans, Hasnawi bin Tahar, H. van Rijn, J. Boissevain, A.
Hartong, J. van der Klei, M. Creyghton, A. Huitzing, C. Beeker,
P. van Dijk, E. Gellner, K. Brown, M. Schoffeleers, the people of
cAtatfa, the University of Amsterdam, the African Studies Centre
(Leiden), the Musée des Arts et Traditions Populaires (Tunis),
the Free University (Amsterdam) and those mentioned in note 13,
for various important contributions to my research and the
present argument. Moreover, I am grateful to Michael Roberts for
editorial suggestions, and to M. Zwart, Ursula Cornish and Anne
Monten, who typed successive drafts of this paper. An earlier
version appeared in Social Analysis
(Adelaide, South Australia), 4, September 1980; pp. 51-73.
[2]
For a recent application of this debate to religious history, see
Schoffeleers contribution to the present volume.
[3]
the rendering of place names poses a particular problem in
scholarly writing dealing with the former French Maghrib.
Distorted and unsystematic transliterations of the Arab names
appear on maps and in the literature. For instance, the French
called the highlands of North-Western Tunisia La
Kroumirie. The name derives from a local saint, Sidi Bu
Khamirra. I could not bring myself to retain the colonial place
name, and instead invented the fake Arabization of
Khumiriya. Another problem relating to place names in
this article is that, for profound structural reasons which will
become clear in the course of my argument, the same name may
apply to a locality (valley, hamlet), a residential unit, a kin
group, a saint and a shrine. The awkward repetitions in the text
resulting from this could not be avoided. The other Arabic worlds
used in this article are all rendered in the singular, with
plurals loosely indicated by -s. The simple transliteration
system that has been adopted after Gibb and Kramers (1974)
inevitably obscures may orthographic and phonetic distinctions.
[4]
Cf. van Binsbergen (1970;1971a). A combined English version of
these studies is currently being prepared (van Binsbergen,
forthcoming). In this work one important omission of the present
paper will be put right: the fact that the oral evidence of which
I make use is not explicitly identified with names of informants,
etc. I am grateful to the Free University, Amsterdam, for
enabling me to revisit the area briefly in 1979.
[5]
Sidi (Lord, Saint) is the conventional
epithet for saints names in the Islamic world.
[6]
The distinction between myth and hagiographic legend is ignored
in this study.
[7]
In Arabic: Raquba a place commanding a wide view, hence a
protruding hill-top overlooking a valley, the abrupt end of a
mountain ridge and the open air, windswept mens assembly
grounds which are found in every Khumiri neighbourhood.
[8]
From the vast literature, I mention: Brunel (1926), Demeerseman
(1964), Dermenghem (1954), Eickelman (1976), Geertz (1968),
Gellner (1969), Marçais and Guiga (1925), Montet (1909),
Westermarck (1926).
[9]
Cf. Lévi-Strauss (1958; 1964; 1966; 1973) and Leach (1967,
1976). For reflections on this approach, and an overview of the
recent literature, see de Mahieus contribution to the
present volume.
[10] Cf.
Bourdieu, 1965: Davis, 1977: pp. 89-101; Jongmans, 1968; Blok,
1979; and references cites in these works.
[11] Although
the petty administrator created by the colonial government was
called by the title of honour shaykh, which
is also the term used for religious leaders and for saints, I
shall designate this secular office by the terms used elsewhere
in Africa: chief, chieftaincy and chiefdom.
[12] A
suggestion corroborated by the ordnance map for the area:
Institut Géographique National, Carte topographique 1:50,000 (La
Calle, Paris, n.d. probably early 1960s).
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'Íslamic myth'
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